I’m in love with color, mostly the vast arrays of changing light during sunrises and sunsets. The light skims across the surface of the water and the hues of the sky become alive. Unfortunately clarity is an issue as the light fades, I recently purchased a flash for my water housing so I can better illuminate my subject in the failing light. It adds another 2LBS making the totally weight around 7-8LBS and it’s not arrow dynamic cutting thru the water so, I feel like my balance is off and I’m struggling to maintain a horizon because its top heavy. Here was my first attempt on a super glassy 2-3 foot day at Robert Moses State Park. Many Mahalo’s for my friend Neal for staying in the water extra late to help me practice.
There was enough light when we first started that the flash wasn’t needed, Plus I need to understand range of my Flash (check out the moon)
Normally he would be a silhouette shooting into the sun but the flash added just enough color to make this shot
Too Far away and the flash doesn’t even matter.
The Flash actually made this too colorful and its was super red and over exposed so I bumped up the contrast and made it black and white, around this time I was having issue with focusing, the camera couldn’t find a focal distance in the dark.
This obviously wasn’t the best shot but it illustrated perfectly the concept I was going for, Perfect clarity in almost no light.
In between sets and at the end I wanted to try to get a few beach break barrel shots. But it was really hard to turn my arm with the extra weight to position my camera perfectly
Winter is over time to make room for spring so in no particular order here are my top 10 favorite moments from the best winter of life…so far
#1 This is a picture of Kamalei Alexander at backdoor Pipeline (the most famous/deadliest wave in the world). It’s unedited (no photoshop, no crop) This was the first time I didn’t sit in the “Channel” and I ventured out into the line-up. I was so scared and really pushing the boundaries of my physical abilities. But this day I proved to myself that all my training and hard worked paid off.
From the Post (https://thesurfingphotog.com/2011/12/16/backdoor-barrels/)
#2 This is a picture of a surfing Icon Randy Rarick, I met him on 2-4 foot day out at Sunset Beach. I was training on a small day and learning the contour of the reef. I knew the more I learned about the surf breaks on the North Shore the better I was prepared to leave alive. Randy introduced himself to me because he was intrigued (Established surf photographers don’t swim out to sunset on 4 foot days to “practice”). This chance encounter turned out to be the most influential day of my winter
From the post (https://thesurfingphotog.com/2011/11/18/meeting-my-icons/)
#3 Jadson Andre at Rocky Point. He purposely threw this air right in front of me, He wanted me to get this shot. I realized at that point that people though I was a professional because my abilities to maintain position in the line up and my demeanor in and out of the water. I sent him a copy of this picture and he Re-Tweeted (He is in top 20 in the world of pro surfing)
From the post (https://thesurfingphotog.com/2011/11/21/finally-some-swell/)
#4 This is just a random accident shot, wasn’t trying to get it… just following some no-name surfer on the wave. Magic moments are always there and anybody can have to wave of the day. Pro-surf photographers only take pictures of pro-surfers or huge waves… I take pictures of everybody because it isn’t a job… Its fun
From the post (https://thesurfingphotog.com/2011/11/16/got-to-love-art-shots/)
#5 Waterproof Long exposure… I have been a photo dork for a long exposures and night time pictures are my favorite non-sports related type of photography. To get this picture I swam out to the reef at 10pm, set my tripod (I got a custom tripod mount for my water housing) used a flash light in a ziplock bag to illuminate the ocean. It was a 30sec exposure at an f stop of 11 ISO 800
#6 I had permission to swim out to the Eddie Aikau Big wave invitational. Nobody besides invitees and a few photographers are allowed to participate in the opening ceremony paddle out. This is not televised and it is one of the greatest honors in surfing. With great humility and pride did I share those moments. December 1 2011 was the day I realized the true meaning of Aloha
#7 Clark Little is the most famous wave photographer in the world. Here was my first attempt to capture the amazing shore break he has made iconic with Hawaii’s powerful waves. I took about 1000 shots to get this one keeper… not easy
#8 Because of my success on the North Shore of Oahu and my eye for “art” shots a mutual friend Val Frey hired me to get her the classic duck diving shot. I got paid to take pictures of a model… I repeat I got paid to take pictures of a very beautiful model
From the post (https://thesurfingphotog.com/2012/01/10/duck-diving-photo-shoot/)
#9 That duck diving shot gave me enough credit to venture into Fine Art shots.
From the post (https://thesurfingphotog.com/2012/01/29/kate/)
#10 This was the biggest meanest wave I swam out to all winter. Tom Whitaker at Honolua Bay Maui 1/4/12
From the Post (https://thesurfingphotog.com/2012/01/05/honolua-bay/)
Here is just a friend of mine saying goodbye to me at the Maui Airport… Makes me smile
Not really my forte but, I seem to get a lot of positive feedback from the last time I tried to get those classic beach break barrel shots. I guess it translate better to mainstream appeal then regular surf photography. I like it but its over edited and plastic to me. It’s funny after trying this a few times I realize all the techniques Clark uses in his own photography. Not to say they are any type of trade secret just very simple editing software touch ups.